Adrian Willaert and the Theory of Interval Affect

Adrian Willaert and the Theory of Interval Affect
Author :
Publisher : Routledge
Total Pages : 365
Release :
ISBN-10 : 9781317185314
ISBN-13 : 1317185315
Rating : 4/5 (14 Downloads)

Book Synopsis Adrian Willaert and the Theory of Interval Affect by : Timothy R. McKinney

Download or read book Adrian Willaert and the Theory of Interval Affect written by Timothy R. McKinney and published by Routledge. This book was released on 2016-03-23 with total page 365 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the writings of Nicola Vicentino (1555) and Gioseffo Zarlino (1558) is found, for the first time, a systematic means of explaining music's expressive power based upon the specific melodic and harmonic intervals from which it is constructed. This "theory of interval affect" originates not with these theorists, however, but with their teacher, influential Venetian composer Adrian Willaert (1490-1562). Because Willaert left no theoretical writings of his own, Timothy McKinney uses Willaert's music to reconstruct his innovative theories concerning how music might communicate extramusical ideas. For Willaert, the appellations "major" and "minor" no longer signified merely the larger and smaller of a pair of like-numbered intervals; rather, they became categories of sonic character, the members of which are related by a shared sounding property of "majorness" or "minorness" that could be manipulated for expressive purposes. This book engages with the madrigals of Willaert's landmark Musica nova collection and demonstrates that they articulate a theory of musical affect more complex and forward-looking than recognized currently. The book also traces the origins of one of the most widespread musical associations in Western culture: the notion that major intervals, chords and scales are suitable for the expression of happy affections, and minor for sad ones. McKinney concludes by discussing the influence of Willaert's theory on the madrigals of composers such as Vicentino, Zarlino, Cipriano de Rore, Girolamo Parabosco, Perissone Cambio, Francesco dalla Viola, and Baldassare Donato, and describes the eventual transformation of the theory of interval affect from the Renaissance view based upon individual intervals measured from the bass, to the Baroque view based upon invertible triadic entities.


Adrian Willaert and the Theory of Interval Affect Related Books

Adrian Willaert and the Theory of Interval Affect
Language: en
Pages: 365
Authors: Timothy R. McKinney
Categories: Music
Type: BOOK - Published: 2016-03-23 - Publisher: Routledge

DOWNLOAD EBOOK

In the writings of Nicola Vicentino (1555) and Gioseffo Zarlino (1558) is found, for the first time, a systematic means of explaining music's expressive power b
The Madrigal
Language: en
Pages: 376
Authors: Susan Lewis Hammond
Categories: Music
Type: BOOK - Published: 2012-08-06 - Publisher: Routledge

DOWNLOAD EBOOK

The Madrigal: A Research and Information Guide is the first comprehensive annotated bibliography of scholarship on virtually all aspects of madrigal composition
American Musicological Society
Language: en
Pages: 162
Authors: Mark Germer
Categories: Bulletin of the American Musicological Society
Type: BOOK - Published: 1990 - Publisher: The AMS

DOWNLOAD EBOOK

Early Music History: Volume 23
Language: en
Pages: 336
Authors: Iain Fenlon
Categories: Literary Criticism
Type: BOOK - Published: 2004-12-27 - Publisher: Cambridge University Press

DOWNLOAD EBOOK

Musical history from the early Middle Ages to the end of the seventeenth century.
A General History Of The Science and Practice Of Music
Language: en
Pages: 556
Authors: John Hawkins
Categories:
Type: BOOK - Published: 1776 - Publisher:

DOWNLOAD EBOOK