Cosmetics In Shakespearean And Renaissance Drama
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Revised and updated critical survey of the field of cosmetics and adornment studiesThis revised edition examines how the plays of Shakespeare and his contempora
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Throughout his plays, Shakespeare placed an extraordinary emphasis on the power of the face to reveal or conceal moral character and emotion, repeatedly invitin
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She also shows that in Renaissance comedy, playwrights exploited the many bawdy meanings of fucus, or cosmetic paint, to dramatize that "theres knauery in dawbi
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How does our understanding of early modern performance, culture and identity change when we decentre Shakespeare? And how might a more inclusive approach to ear