Prints And The Pursuit Of Knowledge In Early Modern Europe
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Printed artworks were often ephemeral, but in the early modern period, exchanges between print and other media were common, setting off chain reactions of image
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Betr. u.a. Hans Holbeins Totentanz in den "Simulachres & historiées faces de la mort", Lyon 1538 (S. 176-179).
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Early modern printmakers trained observers to scan the heavens above as well as faces in their midst. Peter Apian printed the Cosmographicus Liber (1524) to tea
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A cross-cultural, comparative view on the transition from a predominant ‘culture of handwriting’ to a predominant ‘culture of print’ in the late medieva