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How does artistic practice lead to the production of knowledge? How does, in turn, artistic knowledge relate to its material base? How does contingent materiali
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In this first critical account of Matta-Clark's work, Pamela M. Lee considers it in the context of the art of the 1970s—particularly site-specific, conceptual
A History of the World in 100 Objects
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This book takes a dramatically original approach to the history of humanity, using objects which previous civilisations have left behind them, often accidentall