Melody, Harmony, Tonality

Melody, Harmony, Tonality
Author :
Publisher : Scarecrow Press
Total Pages : 211
Release :
ISBN-10 : 9780810886407
ISBN-13 : 0810886405
Rating : 4/5 (07 Downloads)

Book Synopsis Melody, Harmony, Tonality by : E. Eugene Helm

Download or read book Melody, Harmony, Tonality written by E. Eugene Helm and published by Scarecrow Press. This book was released on 2012-12-06 with total page 211 pages. Available in PDF, EPUB and Kindle. Book excerpt: Where did the major scale come from? Why does most traditional non-Western music not share Western principles of harmony? What does the inner structure of a canon have to do with religious belief? Why, in historical terms, is J.S. Bach’s music regarded as a perfect combination of melody and harmony? Why do clocks in church towers strike dominant-tonic-dominant-tonic? What do cathedrals have to do with monochords? How can the harmonic series be demonstrated with a rope tied to a doorknob, and how can it be heard by standing next to an electric fan? Why are the free ocean waves in Debussy’s La Mer, the turbulent river waves in Smetana’s Moldau, and the fountain ripples in Ravel’s Jeux d’Eau pushed at times into four-bar phrases? Why is the metric system inherently unsuitable for organizing music and poetry? In what way does Plato’s Timaeus resemble the prelude to Wagner’s Das Rheingold? Just how does Beethoven’s work perfectly illustrate fully functional tonality, and why were long-range works based on this type of tonality impossible before the introduction of equal temperament? In this new century, what promising materials are available to composers in the wake of harmonic experimentation and, some would argue, exhaustion? The answers to these seemingly complicated questions are not the sole province of music professors or orchestra conductors. In fact, as E. Eugene Helm demonstrates, they can just as easily be explained to amateurs, and their answers are important if we are to understand how Western music works. The full range of Western music is explored through 21 concise chapters on such topics as melody, harmony, counterpoint, texture, melody types, improvisation, music notation, free imitation, canon and fugue, vibration and its relation to harmony, tonality, and the place of music in architecture and astronomy. Intended for amateurs and professionals, concert-goers and conductors, Helm offers in down-to-earth language an explanation of the foundations of our Western music heritage, deepening our understanding and the listening experience of it for all.


Melody, Harmony, Tonality Related Books

Melody, Harmony, Tonality
Language: en
Pages: 211
Authors: E. Eugene Helm
Categories: Music
Type: BOOK - Published: 2012-12-06 - Publisher: Scarecrow Press

DOWNLOAD EBOOK

Where did the major scale come from? Why does most traditional non-Western music not share Western principles of harmony? What does the inner structure of a can
Harmony Through Melody
Language: en
Pages: 786
Authors: Charles Horton
Categories: Music
Type: BOOK - Published: 2020-10-15 - Publisher: Rowman & Littlefield

DOWNLOAD EBOOK

Harmony Through Melody:The Interaction of Melody, Counterpoint, and Harmony in Western Music, Second Editionoffers a robust, composition-based approach to tonal
Hearing Harmony
Language: en
Pages: 331
Authors: Christopher Doll
Categories: Music
Type: BOOK - Published: 2017-05-30 - Publisher: University of Michigan Press

DOWNLOAD EBOOK

An original, listener-based approach to harmony for popular music from the rock era of the 1950s to the present
Connecting Chords with Linear Harmony
Language: en
Pages: 130
Authors:
Categories: Music
Type: BOOK - Published: 1996-05-01 - Publisher: Hal Leonard Corporation

DOWNLOAD EBOOK

(Jazz Book). A study of three basic outlines used in jazz improv and composition, based on a study of hundreds of examples from great jazz artists.
Understanding Music
Language: en
Pages: 316
Authors: N. Alan Clark
Categories: Education
Type: BOOK - Published: 2015-12-21 - Publisher:

DOWNLOAD EBOOK

Music moves through time; it is not static. In order to appreciate music wemust remember what sounds happened, and anticipate what sounds might comenext. This b