Vertov Snow Farocki
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Vertov, Snow, Farocki: Machine Vision and the Posthuman begins with a comprehensive and original anthropological analysis of Vertov's film The Man With a Movie
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Screen-based media, such as touch-screens, navigation systems and virtual reality applications merge images and operations. They turn viewing first and foremost
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Variable Conditions recovers and explores early Canadian encounters between computational media and contemporary art in the late twentieth century, charting a n
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Cinema and Surveillance: The Asymmetric Gaze shows how key modern filmmakers challenge and disturb the relation between film and surveillance, medium and messag
Language: en
Pages: 400
Pages: 400
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