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Intersecting Film, Music, and Queerness uses musicology and queer theory to uncover meaning and message in canonical American cinema. This study considers how q
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Since the turn of the millennium, films such as Chicago (2002) and Phantom of the Opera (2004) have reinvigorated the popularity of the screen musical. This edi
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The author addresses the problematic categorization of film music in terms of the reductive diegetic/nondiegetic binary distinction. Caillez Angeles reconstruct